Rebecca
Welz

Group of Houses / Fire House, 25 1.50" x 20 1.50" x 12" /
Big House, 48" x 46 1.50" x 22 1.50"/
Sea Glass House, 18 1/2" x 15 1.25" x 10.25"/ 2021,
welded steel, blackening, powder coat and paint
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Born Sausalito, California
Lives and works in New York City |
Education |
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Boston Museum School
of Fine Art, Boston, Massachusetts
BA, Empire State College, City University of New York |
Solo Exhibitions |
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2021 |
Displacement:
Sculpture, June Kelly Gallery, New York |
|
2017 |
Sunstalks and
Barnacles: Sculpture, June Kelly Gallery, New York |
|
2014 |
Smoke Trees and
Jellyfish: Sculpture and Collages, June Kelly Gallery, New York |
|
2010 |
Steel Nets:
Sculpture, June Kelly Gallery, New York
Rebecca Welz, Sculpture, Humanities Gallery, Long Island
University, Brooklyn, NY |
|
2008 |
Inner and Outer
Spaces: Sculpture, June Kelly Gallery, New York |
|
2005 |
Steel Kites: Painted
Steel Sculpture, June Kelly Gallery, New York;
catalogue |
|
2004 |
Rebecca Welz:
Wishing Poles and Other Incarnations, Gallery 555, Oakland
Museum of
California at City Center, CA |
|
2003 |
Shingle Pieces,
Wishing Poles and Floating Arcs, Butters Gallery, Portland, OR |
|
2002 |
Arcs,
Orbs and Other Flying Objects: Sculpture, June Kelly Gallery, New
York |
|
2001 |
Constructions, Butters Gallery Ltd., Portland, OR |
|
2000 |
Constructions,
June Kelly Gallery, New York; catalogue |
|
1997 |
Constructions,
June Kelly Gallery, New York |
|
1994 |
New
Work, Grace Borgenicht Gallery, New York |
|
1991 |
Constructions,
Grace Borgenicht Gallery, New York; catalogue |
|
1989 |
Constructions,
Grace Borgenicht Gallery, New York |
|
1985 |
Constructions,
Bernice Steinbaum Gallery, New York |
|
1979 |
Landmark
Gallery, New York |
Selected Group Exhibitions |
|
2018 |
Grúpa, Rebecca
Welz, Barbara Kruger, C. R. Grigg, Paul Bowen, Jennifer Ellwood, David
Loeffler Smith, Laura Petrovich-Cheney,
Cherry Stone Gallery, Wellfleet, MA, July-Sept |
|
2017 |
Celebrating 30
Years, Gallery Artists: Drawings and Photographs, June Kelly
Gallery,
New York |
|
2016 |
The New Memesis,
SciArt Center, Easton, PA
Sally’s Party, Cherrystone Gallery, Wellfleet, MA |
|
2015 |
Design is
Everything, Schafler Gallery, Pratt Institute, Brooklyn, NY
Crossing the Line: Drawings, Paintings and Sculpture, Mark Alsterlind,
Norman Lewis, Elie
Nadelman, Sky Pape, Rebecca Welz and Nola Zirin, June Kelly Gallery,
New York |
|
2014 |
Line, Butters
Gallery, Portland, OR |
|
2013 |
Unsteady Ground,
City Without Walls, Newark, NJ
Sculpture Garden, Butters Gallery, Portland, OR |
|
2008 |
To Infinity and
Beyond: Mathematics in Contemporary Art, co-curated by Elizabeth Meryman
and Lynn Gamwell,
Heckscher Museum of Art, Huntington, NY |
|
2006 |
The Shape of
Things, Butters Gallery, Portland, CA |
|
2005 |
Vernissage,
Sculpturesite Gallery, San Francisco, CA |
|
2003 |
Uncommon Threads,
curated by Kathleen Spicer, Delaware Valley Arts Center Loft Gallery,
Narrowsburg, NY |
|
2001 |
Collections
Installed: Ten Women Who Make Sculpture, curated by Judith K. Brodsky, Mason
Gross School of the Arts Galleries, Rutgers Center
for Innovation Print and Paper, New
Brunswick, NJ
Collage, Butters Gallery, Portland, Oregon |
|
1998 |
Small
Works, PSD-X Gallery, New York
Faculty Group Show, Pratt Institute, Brooklyn, NY |
|
1996 |
Akim
Masks, Invitational, Sothebys, New York;
catalogue |
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1995 |
Selections, Adam
Baumgold Gallery, New York
Faculty Group Show, Pratt Institute Manhattan Gallery and The
Schafler Gallery, Brooklyn,
NY
Collaborative Work for Grace Borgenicht, Borgenicht Gallery, New
York
Group Show at Office Environments,
organized by Joyce Creiger Gallery, Boston, MA;
catalogue |
|
1993 |
Hand
Workshop, Virginia Center for the Craft Arts, Richmond, VA
Rockville Arts Place, Rockville, MD |
|
1992 |
Benefit
for the Organization of Independent Artists, Rosa Esman Gallery, New York
Process as Issue, College of New Rochelle, NY |
|
1989 |
Climate‘89,
Grace Borgenicht Gallery, New York; catalogue
Plane Into Form, World Trade Center, New York |
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1987 |
Invitational,
Grace Borgenicht Gallery, New York; catalogue |
|
1983 |
Put
Together Again, 4 Sculptors, 22 Wooster Gallery, New York |
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1982 |
Polychrome
Sculpture: Views by Women Artists, Lever House, New York; catalogue
Put Together, 4 Sculptors, 22 Wooster Gallery, New York
10th Anniversary Show, Landmark Gallery, New York |
|
1976 |
Auction 393,
393 West Broadway, New York; catalogue |
|
1973 |
Boston City Hall,
Boston, MA |
Selected Bibliography
Articles and Reviews |
|
2011 |
McClermont, Doug,
review, ARTnews |
|
2006 |
Little, Carl,
“Rebecca Welz at June Kelly,” review, Art in America, January |
|
2005 |
Wright, Jeffrey
Cyphers, review, Hung Steel, Offoffoff.com |
|
2004 |
Goodman, Jonathan,
review, Sculpture Magazine, March |
|
2003 |
Morgan, Robert,
review, ARTnews, January |
|
2001 |
Ellertson, Karen, “A
sense of place infuses the work of two artists,” The Oregonian, Friday,
July 20 |
|
1997 |
Bell, J. Bowyer,
“Constructions,” Review, September 15
Youens, Rachel, “Curving Space Frees Her Form,” Cover, Vol.11,
No.4 |
|
1994 |
Nunn, Emily, review, The New Yorker, July 11 |
|
1991 |
Wright, Jeff, review,
Cover, September |
|
1989 |
Wright, Jeff, review,
Cover, May |
|
1985 |
Moss, Jacqueline,
article, Arts Magazine, September |
|
1983 |
Wolff, Theodore F.,
“The Many Masks of Modern Art Series,” The Christian Science Monitor,
October 27
Morris, Diana, review, Women Artists News, summer, pp. 8 and 9 |
|
1982 |
Wolff, Theodore F.,
“Series on Art,” The Christian Science Monitor, February 10, p.18 |
|
1979 |
Erlich, Robbie, review,
Arts Magazine, September, p.34
Kingsley, April, “Nature Takes It’s Course,” The Village Voice,
April 2, p. 79
Wolff, Theodore F., review, The Christian Science Monitor, March
9, p. 15 |
Selected Bibliography
Books and Catalogues |
|
2005 |
Steel Kites,
essay by Jonathan Goodman, June Kelly Gallery, New York |
|
2000 |
Constructions,
essay by Gerrit Henry, June Kelly Gallery, New York |
|
1997 |
Wolff, Theodore F.,
exhibition essay, June Kelly Gallery, New York; brochure |
|
1994 |
Doering, Erika,
Switzky, Rachel, Welz, Rebecca, Goddess in the details: product
design by
women, publishers: Association of Women Industrial Designs, New York,
book |
|
1991 |
Constructions,
essay by Theodore F. Wolff, Grace Borgenicht Gallery, New York |
Selected Public Collections |
|
AXA Corporation, New
York
Cleary, Gottlieb, Steen & Hamilton, New York
Cortec Corporation, New York
Credit Lyonnais, New York
Goldman Sachs & Company, New York
Merck, New Jersey
Mound, Cotton, Wollan, New York
Pfizer Incorporated, New York
Prudential Life Insurance Corporation, New York
Sabre Corporation, Dallas/Fort Worth, TX
Sidney Lewis, Richmond, VA
Warburg Pincus, New York
William Kaufman Organization, New York
Windmueller Fine Arts, Scarsdale, New York |
Projects |
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2017,2016 |
Organizer and
Participant, Antigua Project |
|
2015 |
Traveled to
Antigua, Guatemala with a group of artists/designers from New York
to collaborate with weavers, woodcarvers, carpenters, a shoemaker, a
ceramicist, a leather worker and a silversmith to create a
collection of products that represented the local traditions and
skills combined with the design expertise of the designers from New
York. traditions and skills that combines
the expertise of designers from New York.
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|
2013 |
Organizer and Participant, The Malinalco
Project |
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Organized by Pratt professor
Rebecca Welz and Traveled to Malinalco, in Central Mexico with a
group of 12 artist/designers from the graduate program at Pratt
Institute and sponsored by the not for profit organization Project
El Rincón de Malinalco. Worked with
local woodcarvers, carpenters, and weavers to create a product line
that represented the local traditions and skills combined with the
design expertise of designers from New York.
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2010 |
Co-organizer and Participant, The Guyana
Project |
|
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An initiative that combined
cultural, material and process research with design competencies and
onsite manufacturing in a factory focused on sustainable and
ecological manufacture in Guyana, South America. Eleven
designers from the graduate program at Pratt Institute worked in
close collaboration with artisans at the Liana Cane Factory and with
the indigenous Wai Wai community to produce a new collection of
products and furniture made from renewable and local non timber
forest products. The project was
aimed at developing a partnership with the artisan workers, creating
an exchange rather than a traditional model of manufacturing used by
industrialized nations.
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|
2001-2003 |
Smart Design and OXO;
and Coalition for the Homeless; directed research for Industrial
Design
Graduate Students |
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1990 |
Founded The
Association of Women Industrial Designers, AWID, in conjunction with a |
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group of graduate students. Mounted the first exhibition of women
product design in the United States, funded by Timex group USA, Inc.,
Middlebury, CT., Knoll Manufacturing Company, East Granville, PA, New
York, Pratt Manhattan Gallery and the Pratt Schaffler Gallery, Brooklyn,
NY
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