|
1909 |
Born in
New York City, July 23 |
|
1979 |
Died in
New York City, August 27 |
Education |
|
1933-35 |
Columbia
University and The John Reed Club Art School, New York
Accepted into the Federal Art Program of the Works Progress Administration, (WPA) |
Chronology |
|
1998 |
Black
New York Artists of the 20th Century: Selections from the Schomburg
Center Collection, Schomburg Center for Research in Black Culture, New
York; catalogue
Norman Lewis: Black Paintings 1946-1977, The Studio Museum in Harlem,
New York; other venues; The Wadsworth Atheneum, Hartford, CT; The
Dayton Art Institute, Dayton, OH; catalogue
1960s: Paintings & Works on Papers, June Kelly Gallery, New York |
|
1989 |
Norman
Lewis: From the Harlem Renaissance to Abstraction, Kenkeleba
Gallery, New York |
|
1976 |
First
retrospective exhibition, Norman Lewis, A Retrospective, Graduate
School and University Center of the City University of New York |
|
1975 |
Awarded a
fellowship from the John Solomon Guggenheim Memorial
Foundation |
|
1972-79 |
Taught at
The Art Students League, New York |
|
1972 |
Awarded
Mark Rothko Foundation grant and an Individual Artists
Fellowship for the National Endowment for the Arts |
|
1971 |
Black
Artists: Two Generations, The Newark Museum, New Jersey |
|
1969 |
With
Romare Bearden and Ernest Crichlow founded the Cinque Gallery
in New York |
|
1964 |
Final solo
exhibition at the Willard Gallery. Relocates to California. |
|
1963 |
A founding
member of Spiral, group of African-American artists that
included Charles Alston, Romare Bearden and Hale Woodruff |
|
1958 |
Nature
in Abstraction, Whitney Museum of American Art, New York |
|
1952 |
Received
honorable mention in the 10th Annual American Drawing,
Virginia Museum, Norfolk |
|
1951 |
Abstract
Painting and Sculpture in America, The Museum of Modern Art,
New York |
|
1950 |
The only
African-American artist to be included in the Artists Sessions
at Studio 35, intended to define the Abstract Expressionist movement.
The sessions were jointly moderated by Alfred J. Barr, Jr., and
included Louise Bourgeois, Willem de Kooning, Robert Motherwell and
Ad Reinhardt |
|
1949 |
First solo
exhibition at the Willard Gallery. Lewis would have solo
exhibitions at the gallery in 1950, 1951, 1952, 1954, 1957, 1961. |
|
1946 |
Accepted
into the Marian Willard Gallery, New York. The gallery also
represented Lyonel Feininger, Morris Graves, Mark Tobey and David
Smith |
|
1943 |
Designer
of the war relief poster for the Congress of Industrial
Organization,(CIO). |
|
1940 |
Art of
the American Negro, Tanner Galleries, Chicago, IL |
|
1935-37 |
Taught at
P.S.139 and the Harlem community Art Center in New York,
under the auspices of the WPA |
|
1935 |
Founding
member of the Harlem Artists Guild. Members included Romare Bearden, Selma Burke and
Beauford and Joseph Delaney |
|
1934
|
Member of
the famed "306 Group," an organization of artists and writers
that met in the studio of painter Charles Alston |
|
1933 |
Began
painting at Augusta Savages Uptown Art Laboratory, New York |