John
Pinderhughes
Breadfruit on Beach, ca.1979
Archival ink jet print
22 x 30 inches
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Born Washington,
DC
Lives and works in New York City |
Education |
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1971-72 |
WNET Film and Television Training School,
WNET (PBS) Television, New York |
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1964-68 |
Howard
University, Washington, DC |
Selected Solo Exhibitions |
|
2023 |
Overview, June
Kelly Gallery, New York |
|
2022 |
My Love of Our
Community, Southampton African American Museum, NY |
|
2021 |
Finding Meaning Within
The Photography of John Pinderhughes, Polk Museum of Art Florida
Southern College, Lakeland, FL. |
|
2016 |
Reflections/Meditations: A Retrospective of Photography by John Pinderhughes;
Crossroads
Gallery, Notre Dame Center for Arts and
Culture, University of Notre Dame, South Bend, IN
Life and Light: St. Louis Cemetery No. 1 Reframed Through the Lens of
John Pinderhughes, The
John L. Warfield Center for African
American Studies, The University of Texas at Austin,
TX |
|
2014 |
Quiet Scripture:
Recent Photographs, essay by C. Daniel Dawson and Robert G. O’Meally,
June
Kelly Gallery, New York |
|
2012 |
Eatonville Embodied,
The Zora Neale Hurston National Museum of Fine Art, Eatonville, FL |
|
2011 |
A Heritage Fulfilled:
Photographs of West Africa By John Pinderhughes, Museum of Art and
Origins, New York |
|
2010 |
The Katrina Portraits,
The East Meadow Public Library, East Meadow, NY |
|
2000 |
Majestic
Vista: Landscapes of Eastern Long Island, June Kelly Gallery,
New York
Soliloquies: Photography, Sherry Washington Gallery, Detroit, MI |
|
1993 |
One
Photographers View, AT&T, Holmdel, NJ |
|
1990 |
Dry
Bones & Burnt Offerings, The Bronx Museum of the Arts, NY |
|
1989 |
A
Celebration of Nature, The Nature Conservancy, Holland & Holland,
New York
Recent Work, G.R. NNamdi Gallery, Birmingham, MI Cinque Gallery,
New York |
|
1987 |
The
Photographers Eye, The Port Washington Public Library, NY |
|
1985 |
An
African Experience Revisited, The Museum of African American
History, Detroit, MI |
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1984 |
Wavelines/Martha’s
Vineyard: Recent Photographs, Gallery 62, The National Urban
League, New York |
|
1982 |
The Shadyside Portfolio, The W.E.B. Dubois Institute, Harvard
University, Cambridge, MA |
|
1979 |
John Pinderhughes:
Photography, The University of North Carolina at Greensboro, NC |
|
1978 |
Hoffman La Roche Pharmaceuticals, Nutley, NJ |
|
1972 |
John Pinderhughes ,
The Metropolitan Applied Research Center, New York |
Selected Group Exhibitions |
|
2023 |
House of Love,
Amistad Center for Art and Culture, Hartford, CT
Rest is Power, Center for Black Visual Culture at the Institute of
Africa American Affairs aka
IAAA, New York University, NY |
|
2022 |
A Picture Gallery of
the Soul, curator Herman J. Milligan, Jr. and Howard Oransky, Director
of
the Katherine E. Nash Gallery, University
of Minnesota Minneapolis |
|
2017 |
Celebrating 30 Years,
Gallery Artists: Drawings and Photographs, June Kelly Gallery, New York |
|
2014 |
Kamoinge & En Foco:
Advancing the Frame, The Nathan Cummings Foundation, New York
Optional Allusions: Art in Flux Harlem, Aloft Hotel, New York |
|
2013 |
Permanent Collection:
The General Motor’s Center For African American Art, Detroit Institute
of Arts, MI |
|
2012 |
Celebrating 25 Years,
June Kelly Gallery, New York
Kamoinge: Revealing The Face Of Katrina, Gordon Parks Gallery, The
College of New
Rochelle, Bronx, NY |
|
2008 |
Moving Walls 14,
Open Society Institute, New York |
|
2007 |
Death Bizarre,
Center for Photography at Woodstock, NY
Kamoinge: Revealing The Face of Katrina, Calumet HP Gallery, New York |
|
2006 |
Soul Food, The
Amistad Center for Art & Culture, Wadsworth Atheneum Museum of Art,
Hartford, CT
Engulfed By Katrina: Photographs Before & After The Storm, Nathan
Cummings Foundation &
New York University Tisch School of Arts,
New York |
|
2005 |
Saturday Night /
Sunday Morning; African American Museum in Philadelphia, PA |
|
2004 |
A Universe of Art,
organized by Corporate Art Directions, Credit Suisse First Boston,
New York |
|
2001 |
Committed To The
Image: Contemporary Black Photographers, organized by the Brooklyn
Museum of Art, New York; catalogue |
|
2000 |
Reflections
In Black: A History of African American Photographers 1840
to Present, Arts &
Industries Gallery, Smithsonian Institution,
Washington, DC |
|
1999 |
Jazz
Plus/Kamoinge, The UFA Gallery, New York |
|
1992 |
Paintings &
Photographs, Alitash Kebede Fine Arts, Los Angeles, CA |
|
1991 |
The
Pleasures and Terrors of Domestic Comfort, The Museum of Modern Art, New York
New York Time, The De Meervaart Cultural Center, Amsterdam, Holland |
|
1990 |
Home: Contemporary
Urban Images by Black Photographers, The Studio Museum in Harlem,
New York
Images of Africa, Cinque Gallery, New York |
|
1989 |
Photographs and
Diaries, The Photo Center Gallery, Tisch School of the Arts,
New York
University, New York
National Black Arts Festival, Atlanta, GA |
|
1987 |
Curators
Choice: The Photographers Mind, CEPA Gallery, Buffalo, NY |
|
1986 |
Two Schools: New York
and Chicago: Contemporary African-American
Photography of the 60s
and 70s, Kenkeleba Gallery, New York
America: Another Perspective, Photo Center Gallery, Tisch School of
the Arts, New York
University, New York
Contemporary Afro American Photography, The Weatherspoon Gallery,
University of North
Carolina at Greensboro, NC |
|
1985 |
Contemporary
America: Perspectives, The Black Gallery, Los Angeles, CA
Contemporary Afro American Photography, The Picker Art Gallery,
Colgate University,
Hamilton, NY |
|
1983 |
Contemporary
Afro-American Photography, The Allen Memorial Art
Museum, Oberlin
College, OH
The Robert Freidus Gallery, New York |
|
1982 |
Photography:
Image & Imagination, The Jazzonia Gallery, Detroit, MI
Recent Acquisitions, The Schomburg Center for Research in Black Culture,
N ew Y ork |
|
1981 |
Six
Photographers, The Western Electric Company, New York |
|
1980 |
Self-Portrait,
The Springfield Museum of Fine Art, MA
Selections From the Permanent Collection, The Studio Museum in Harlem,
New York |
|
1979 |
The Black Photographer,
The San Francisco Museum of Modern Art, CA
Diaspora 2, Festival de Diaspora Africaine du Nouveau Monde, Port au
Prince, Haiti
Encounters, The Studio Museum in Harlem, New York |
|
1978 |
The Black Photographer,
The Pittsburgh Arts Institute, PA |
|
1977 |
The
Black Photographer, The Corcoran Gallery, Washington, DC |
|
1976 |
Light
Textures Three, Just Above Midtown Gallery, New York |
|
1972 |
The Flag Show,
Judson Memorial Church, New York |
Public Collections |
|
James E. Lewis Museum of
Art, Morgan State University, Baltimore, MD.
The Baltimore Museum of Art, MD
The Museum of Modern Art, New York
The Studio Museum in Harlem, New York
The Detroit Institute of Arts, Detroit, MI
Smithsonian National Museum of African American History and Culture,
Washington, DC
The DeMenil Foundation, Houston, TX
The Picker Art Gallery, Colgate University, Hamilton, NY
Howard University, Washington, DC
The John L. Warfield Center, The University of Texas, Austin
The Schomburg Center for Research in Black Culture, New York
AXA Gallery, Equitable Collection, New York |
Selected Publications |
|
2012 |
“John Pinderhughes,”
Nueva Luz (Photographic Journal), Volume15, No. 3, Bronx, NY |
|
2005 |
Pinderhughes, John, Burnt
Offerings / Photography, Black Renaissance Noire, Institute Of
African American Affairs, New York
University, New York |
|
2003 |
Cole, Harriette and John
Pinderhughes, “Coming Together: Celebrations For African
American Families; Jump At The Sun,
Hyperion, New York |
|
2001 |
Willis, Deborah,
“Committed To The Image: Contemporary Black Photographers,”
The Brooklyn
Museum/Merrell Publishers, Brooklyn, NY
“A Tribute To Kamoinge, Inc.” Nueva Luz (Photographic Journal),
Bronx, NY
Logan, Fern, “The Artists Portrait Series: Images Of Contemporary African
American
Artists,” Southern Illinois University
Press, Carbondale, IL |
|
2000 |
Willis, Deborah,
“Reflections In Black: A History of Black Photographer’s 1840-1999,” W.
W. Norton & Company, New York |
|
1999 |
Pinderhughes, John, “Hurt
No Living Thing,” McClanahan Book Company, New York |
Click
on thumbnail for larger image.. |
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